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He also won best actor awards from BAFTA and at Cannes for the role. Reviews of the film at the time focused on Hurt’s “courage” in playing the role, and it was the first time an actor playing an openly gay character received the Oscar. Even though the act itself fades to black, its thematic importance was unequivocal. While the narrative style of the film is complex, as is the relationship between the two men, one of the central scenes involves them having sex. Hurt won the Academy Award for best actor that year, and the film itself was nominated for best film, best director, and more. It tells the story of Valentin Arregui, a political prisoner played by Raul Julia, and his cellmate, Luis Molina, a gay man played by William Hurt. This Brazilian/American co-production, directed by Hector Babenco, is based on the Manuel Puig novel. (1984 also marked the commercial release of Italy’s Ernesto, which was made in 1979 and had a film festival run in 1980.) Most significantly, it marked the beginning of what became a golden age of gay male films, many British, which appeared in the next few years. However romantic the relationship is, it doesn’t protect them from the heightened scrutiny on homosexual experimentation among the students resulting from the suicide of one of the boys discovered having sex in a gymnasium changing room.Īnother Country opened in the United States to critical acclaim and was nominated for a Golden Palm at Cannes in 1984. The sexual encounter between the two boys is intercut with Bennett’s dreamy glances at Harcourt during a school assembly, and ultimately with one gentle cuddle in the moonlight, during which Bennett presses a kiss into Harcourt’s hair. The film was shot at Cambridge, Oxford and Princess Diana’s childhood home, Althorp Hall, because Eton, which Burgess attended, refused permission.
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While Another Country is loosely based on the Guy Burgess spy case that was more accurately recounted in John Schlesinger’s 1983 BBC film An Englishman Abroad, it’s primarily the love story of Burgess, played by a painfully young Rupert Everett, and James Harcourt, played by a dewy-lipped, even younger Cary Elwes. Instead, their own delicately constructed romance is interwoven with the discovery of a sexual encounter between two other boys at the same British boarding school in the 1930s, and its aftermath. The two lovers at the center of this lyrical and ultimately unsettling film are not shown in an explicit sex scene. And prior to the late ’80s, when the AIDS epidemic and the changing political scene sent many gay films back into the film festival closet, we saw a high watermark in terms of gay sex on screen. This “golden age” had its roots in the post-Code, post-Stonewall days of the ’60s, when a number of films with gay male sex scenes were made. Far from being art house and gay film festival exceptions, foreign films with gay male protagonists and overt depictions of gay male sexuality began filling theaters in cities across the United States, earning rave reviews and doing well at the box office. In the mid-’80s a kind of sea change hit American theaters. These criteria are admittedly somewhat subjective, so if you feel we’ve missed a film that broke new ground with its use of sex between men, let us know. These are films that for the most part had a major American theatrical release, even if it was of limited scope, with a few groundbreaking foreign, art house and GLBT film festival movies included as well. Here, takes a look back at the most important and groundbreaking gay male sex scenes in films.
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There were definitely no major theatrical releases of big-budget films in which gay men had sex, and certainly no one ever dreamed a film like that could ever be nominated for an Oscar. Once upon a time, there were no gay and lesbian sections in the video stores, no queer film festivals, no debates over whether or not showing gay men having sex was good for the gay community’s image.